>> improv-sphere (blog)
>> Review Le Son du grisli (blog)
>> musikderzeit.de
Microexercises were started when the Miniaturist Ensemble asked
for a piece with no more than 100 notes in it. Having enjoyed
making one such piece, I went on to make 21 more (and then a second
collection, Grete, with an additional 14). Instrumentation and
number of players are mostly open, as are selection of pieces, playing
order, clef and transposition readings, and dynamics.
I like the notion of quite long pieces, and, more recently, also quite
short ones (these have a history too: Beethoven's Bagatelles, Schumann,
Webern, Cage's piano Haiku from the 1950s, Kurtag). I don't worry too
much about intensity of focus; it's more about transitoriness and
catching what's going by, then letting it go. And making each
piece itself, not like the others, or, if repeated, there is also the
possibility of its being different from itself.
Christian Wolff, July 2013
Exercise No. 12 (02:31)
Exercise No. 1 (02:15)
Exercise No. 14 (05:23)
Exercise No. 13 (01:13)
Exercise No. 8d (11:47)
Exercise No. 6 (00:25)
Exercise No. 9 (01:43)
Exercise No. 20 (00:21)
Exercise No. 21 (00:22)
Exercise No. 22 (00:09)
Exercise No. 11 (02:39)
Bonus:
Exercise No 22 Take 2 (Powerchords) (00:09)
Exercise No. 14 Take 2 (08:19)
|